Jennifer Trask: Intrinsecus

The final and absolute favorite artist which I discovered at The Dead or Alive Exhibit was Jennifer Trask. This wall installation made from a found 19th century Italian wood and gold leaf frame uses bones, teeth, antlers, silver and gold leaf to create a completely organic and absolutely beautiful piece of art. This installation, Intrinsecus, refers to the Dutch tradition of Vanitas, which is Latin means “emptiness”, and loosely translated corresponds to the meaninglessness of earthly life and the transient nature of vanity.

What's even more interesting is that she is formally trained as a jeweler and metalsmith. I can see how that has transcended into using natural objects to create something so intricate.

These "flowers" are actually made of rattlesnake vertebra.

Tessa Farmer: Little Savages

Two artists I saw at the Dead or Alive Exhibit were so compelling I felt they deserved their own post - Tessa Farmer being of of them. The attention to detail in her sculptures is impeccable. Each tiny scenario has a crazy amount of detail which is hard to even make out with just the human eye alone. Her background working in a Natural History Museum and entomology inspires her work - which I suppose is why I am so drawn to these spooky little scenes.

This series is called "little savages" - quite fitting...

Her work, made from insect carcasses, plant roots and other found natural materials, comprises hanging installations depicting battles between insects and tiny winged skeletal humanoids.

Dead or Alive: Nature as Art

During a recent trip to New York I had the pleasure of stopping into the Museum of Arts & Design for a much anticipated show - Dead or Alive: Nature Becomes Art. Naturally I was drawn to this exhibit because of it's focus on organic materials which were once produced by or part of living organisms - feathers, bones, egg shells, insects, fur, antlers, dried and rotting plants. Once-living parts of flora and fauna were recombined and rearranged into works of art that address the transience of life, and examines beauty in the extreme.

Here a large cascade of 1000's of pigeon feathers emanate from one of MAD's signature glass bands that cut across the gallery ceilings (Kate McGcwire)

Levi van Veluw’s photo series are self-portraits, drawn and photographed by himself: a one-man-process. His works constitute elemental transfers; this youngest artist of the exhibition uses his own head and shoulders as a canvas on which to build natural landscapes.

Some favorites were the skulls by Jan Fabre which use actual Jewel beetle, click beetle and ground beetle shields on synthetic material to create these beautiful sculptures. The texture and colors of actual beetle shells are just amazing, I could look at them for hours.